Gary Burton - Good Vibes (1969)














From the terrific Oufar Khan blog this has to be good as its named Good Vibes:

Gary Burton hits a sweet electric funky sound here, a great groove that really makes the album stand out from most of his other work! The support Burton gets is a big reason for the greatness of the date, as he's working in a group that includes Eric Gale on guitar, Richard Tee on piano and organ, Chuck Rainey on bass, and Bernard Purdie on drums. The album's got a bit of trippiness to it, kind of in the style of some of Herbie Mann's funky production work for the Vortex label, and a few cuts have producer Joel Dorn working with Arif Mardin on the cuts, giving them a more expansive sound that pushes Burton's playing nicely. The vibes have a dark chromatic quality to them that sounds great next to the sweeter playing of the funky player, and the record's filled with nice numbers.

Vibes = cool



A blog dedicated to Cal Tjader and the vibraphone. There's also drums, bongos, congas, timpani and other exotic instrumentation.

A vibraphone (sometimes called the vibraharp or simply the vibes).

A vibraphone is "a percussion instrument resembling the xylophone but having metal bars and motor-driven resonators for sustaining the tone and producing a vibrato" (source: Webster's Ninth New Collegiate Dictionary).

The vibraphone is played by striking the metal bars with mallets of varying hardnesses. The player also can depress a sustain pedal, which allows the notes to ring until the pedal is lifted again.

The vibraphone was invented in the early years of the 20th century and was played by great jazz musicians such as Lionel Hampton and Milt Jackson.

CAL TJADER

Callen Radcliffe Tjader, Jr. a.k.a. Cal Tjader (July 16, 1925–May 5, 1982) was a Latin jazz musician, though he also explored various other jazz idioms. Unlike other American jazz musicians who experimented with the music from Cuba, the Caribbean, and Latin America, he never abandoned it, performing it until his death.

Tjader primarily played the vibraphone. He was also accomplished on the drums, bongos, congas, timpani, and the piano. He worked with numerous musicians from several cultures. He is often linked to the development of Latin rock and acid jazz. Although fusing jazz with Latin music is often categorized as "Latin jazz" (or, earlier, "Afro-Cuban jazz"), Tjader's output swung freely between both styles.

He won a Grammy in 1980 for his album La Onda Va Bien, capping off a career that spanned over forty years. (Wikipedia)